I'm working on a scifi story collection called There's a Sword for That (using a fantasy motif in a scifi context — just for the fun of it). The tales come out of a weapons shop on a space station, which you can see on the cover.
The collection won't be ready for a while, so I've released a couple of two-story bundles in the meantime, for your amusement.
I know I should be more blasé about it, more professional, but I'm only human. I've just signed my very first contract for a short story submission. Strange Horizons will be publishing “The Visitor” in an upcoming issue sometime in the next few months.
I'll post an announcement with details once they become available.
In addition to the novels I'm currently working on, I'm making a practice of producing more short stories and submitting them to various magazine and anthology markets. Rather than just search for random topics, I've decided to write as many of them as possible for ultimate inclusion in a single collection, called There's a Sword for That.
As you can see from the progress meters on the right, there are four stories so far. This is a science fiction collection, not fantasy, somewhat unexpectedly for stories with swords in them. So far, they've included children, sessile tentacular creatures, intelligent multi-purpose devices, and a famous historical kris (not all at once, of course).
There's a frame to this collection — the Curious Arms weapon shop, tucked away on a space station. All the covers will show the weapon shop and one of the weapons (the cover for the collection will include a rosette of all the weapons).
As each story completes the submission process and becomes available again, it will be published by Perkunas Press, and eventually the entire collection will be available as a book, too. That's more than a year away for some of the stories, but at least a few should be available this year. Since I like to get the covers done sooner rather than later, you can at least get a preview of what they'll look like.
I've spent the last few months conducting a number of experiments and thought I'd mention them here.
Look for a summary of 2014 and plans for 2015 in separate posts.
Finally, I've decided to add progress meters (on the right) for short stories still in the submission process. When finally published by Perkunas Press, they will have full pages here and on the Perkunas Press website.
I conducted a blitz for four months aimed at improving my Facebook and Twitter audience. Rather than advertising my books (bad form) except for the occasional sale, I focused on providing interesting content covering a wide array of topics. In other words, I posted about the things I like — archaeology, landscape, language, surrealism, and dozens of other subjects.
My Facebook friends said, “hey, neat!” and hardly grew at all. Twitter, on the other hand, where I had little presence, grew to hundreds of followers. That was gratifying, but the advice to “make friends and have conversations” still eludes me. I've found new people to follow, but conversations don't seem to make sense in that medium.
I also dabbled in Pinterest and lined up Tumblr and Instagram to explore, but I've eased up on this for now. When my next book is published, I'll do announcements on Twitter and Facebook, and see if I can detect any impact, especially from Twitter. If not, then this is not a great use of my time, and I should ratchet back to a more normal level (yet to be determined).
This blog has suffered as a consequence. I expect to be posting more regularly, and with a greater focus on actual news rather than just amusements and general items of interest.
Workshops & Lectures
I've become a real devotee of Dean Wesley Smith‘s workshops and lectures. His somewhat acerbic and dismissive manner sometimes requires accommodation, but he and his wife Kristine Rusch have an invaluable perspective on the publishing industry and the important issues for long-term fiction writers. It's always difficult to find a mentor whose sensibility accords with your own, and these two do it for me, covering both craft and business concerns.
I find that long-form works like novels seem to match well with the sorts of stories I like to tell — multiple characters, various sub-plots, threads to be woven together. I wouldn’t dare try to keep two novels going in draft simultaneously. It would be like listening to two engrossing conversations at once, and impossible to keep track of.
But sometimes you just want a break. For me, that means writing short stories. Any shorts I write for my ongoing series will probably go straight to publication, but I’m also beginning to produce stand-alone short stories. Since the current series are in the fantasy genre, I’m doing the shorts mostly as science fiction, just for a little variety. Some are truly stand-alone (Second Sight), but others (Buntel Mayit, Monsters) are intended for a story collection called There’s a Sword for That, all of the stories for which will involve some sort of edged weapon. (Since swords are usually associated with fantasy, I thought it would be a challenge to produce science-fiction sword stories instead. That involves a wee bit more than just declaring, say, dragons to be aliens and getting on with it.)
You won’t see these stories for a while, since each one is going through the magazine submission process, and that takes quite a bit of elapsed time (more than a year, maybe two). But I expect to put a dozen or more stories out this year, and I entertain myself prior to publication with getting their covers done as I write them, so that there won’t be anything left to do after they come back unbought or their rights expire, if bought. At least I get to put the covers and blurbs up that way. And if I keep this up every year, there will soon be a regular stream of submissions coming back for publication — I’m just filling the pipeline this year to reap in the future.
Paring it down
Aiming for a certain size in a short story is not something I can control. They’re as long as they need to be, seems to me, and each one is different. Monsters, the latest story destined for the sword collection, surprised me by being only three pages long (1000 words), just two scenes, what they call “flash fiction”. My beta reader wanted to know what happens next, and perhaps you could spin a long story or novella out of it, or it could be the start of a longer character-based novel — sure, I could see that.
But sometimes a molehill is just a molehill, not a mountain. If the characters come back and start explaining their life story to me, well, maybe there will be a followup. Meanwhile, I like the unanswered questions that spin off from the brief encounter. Gives it a concentrated flavor, like a wound-up spring.
Over the next year or so I will be writing a dozen stories or more for a science fiction collection called There's a Sword for That. It will feature bladed weapons, one per story, in unusual contexts, tied together by the shop that houses (and sells them) aboard a space station
The first story is Buntel Mayit, a tale of an ancient and famous keris (kris) cursed by the shaman/smith who was its first victim. Far in the future, it is still seeking revenge on dynastic opportunists. Captain Frans Krajenbrink, Keris Mpu Gandring, and the freighter Ken Arok out of New Java have a fateful encounter with an ambitious alien.
Each story will go through the submission process for magazines before being published by Perkunas Press, so it will be a while before you can read them. I'll keep everyone posted as soon as any story becomes available in either magazine or Perkunas Press versions.
Meanwhile, here's a look at the very first draft sketch for the cover of the collection, featuring the sword shop, from artist Jake Bullock who provided the cover for The Affinities of Magic.