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Category: The Affinities of Magic

Worldbuilding you can live in…

Posted in Dustings of Blue, Fantasy, Research, Setting, and The Affinities of Magic

One of the foundational elements of a Science-Fiction or a Fantasy story is its setting. All stories have settings, but a contemporary novel can get away with skimming over things its readers already understand from their daily lives in a way than a lot of SFF can't.

If you don't describe the space ship and its limitations, you can't picture the characters in that environment. If you don't ground the Hero-with-a-Mission™ in a particular place and time and culture, you can't move him around in a realistic way that lets your readers identify with him.

The picture above is the background full cover for Structures of Earth, the first book in my new series The Affinities of Magic. [Reminder — I am finishing the first three books before releasing the first one, and I'm in the middle of book 3, Dustings of Blue, now…]

Most Fantasy authors feature their characters on their covers, and I am no exception. But just this once, for the first book of what I expect to be a long series, I wanted to feature the setting: a wizard guild hall that has fallen on very hard times, in a backwater of the capitol city of an empire that is just beginning to feel the impact of its Industrial Revolution. The hero will become one of the movers & shakers of an Industrial Revolution of Magic.

So far, so good. I certainly understood the real British Industrial revolution well enough as a model for a lot of what I had in mind, so I poured out the first two books with satisfying stories that worked for me. This was followed by a pause for life events (all better now), and then I started to put the third book together, eager to begin releases. And then I realized… my understanding of the Industrial Revolution was clear enough, but my understanding of living through it — dealing with urban life, transportation, servants, architecture, etc., was somewhat… inadequate for my purpose in my built-world.

Agar Art

Posted in Artwork, and The Affinities of Magic

Image of bacteria on a Petri dishMy new series, The Affinities of Magic, has a microbiological basis for magic.

What that means in practice is that I have to describe cultivating bacteria on an equivalent of Petri dishes as part of the contextual background for the novels.

That's a matter of diluting your source multiple times and scraping streaks across your dish, and other ordinary conventions of basic bacterial cultivation.

And then this comes along…

The American Society for Microbiologists hosted the first bacteria art competition called ‘Agar Art.’

Image of bacteria in Petri dishOf course, there's more than one way to cultivate bacteria.

Like the Horsehead Nebula? I especially enjoy the obligatory Hokusai and van Gogh homages.

Check out the full set of a dozen intricate “paintings”.

Image of bacteria in Petri dish

Image of bacteria in Petri dishes

Cover reveal – Structures of Earth

Posted in Artwork, and Structures of Earth

Alas, all good things must come to an end. My cover artist of the last couple of years, Jake Bullock, got a full-time job (good for him) and is prohibited from doing freelance projects (bad for me). The good news is that I had just finished The Chained Adept series, but I already had a cover from him for book 1 of The Affinities of Magic series. So I had to start over again for that.

Happily, I've partnered with a new cover artist from Poland, Michal Wojtasik.

His audition blew me away. I only asked for a simple sketch of the scene I had in mind, and look what I got, a day later.

Needless to say, he buried his competitors.

He's completed the cover for Structures of Earth and is working on the one for book 2, Fragments of Lightning. I'll be writing book 4 before I release the first 3 books in the series, one right after another, to try and build up some momentum for the new series.

Returning to my writing (yay!)

Posted in A Writer's Desk, Goals, Publishing, and Structures of Earth

After my long prior post about all the learning curves for reaching my next marketing plateau, I'm finally (almost) done and have picked up my latest book (Structures of Earth) and poured another 55000 words into it, just in the last month, and finished it. I've missed it badly!

I'm just starting book 2, Fragments of Lightning. I plan to complete the first three books before releasing any of them, and have the fourth one almost done. The first book, Structures of Earth, is a prequel that takes place five years before Fragments of Lightning, while the hero is still a teenager. I expect to write quite a few books in this series, each of them complete, like a detective series. The release(s) of the first few books should happen in the Spring of 2018, one right after another.

The remnants of my 2017 plans

 

Republishing all titles

I've finished cutting over to ActiveCampaign from MailChimp, and created suitable landing pages on my websites for newsletter signups from various locations.

Image of a stack of booksThat was the last thing I needed before updating all my titles (20 of them) with:

  • Misc. accumulated typo corrections
  • Longer next-book sample excerpts
  • Updated contact info
  • Updated newsletter info
  • UTM-wrapped links to other books & my websites for Google Analytics
  • Better TOC & metadata info inside the books
  • Larger cover images
  • Improved copyright pages

No one item is important enough, but with all of that I felt it was time to finally refresh all 20 titles, ebooks & print. I even moved from Ingram LSI to Spark for various discount coupon situations in the future as part of it. With any luck, I won't need to revise these particular titles ever again.

Associated with that was getting a copy of ONIXEDIT so that I could use the same distribution tools (ONIX) used by traditional publishers with their channel partners. It is of limited immediate use (only for my PublishDrive and StreetLib partners) but just going through the process was immensely educational about the metadata and channel communications issues that go on behind the scenes in the industry. I'm ready to start transmitting using ONIX to these partners very soon.

The newly branded website just for readers

Image of a fantasy landscapeKarenMyersAuthor is up, and so are its related Facebook & Twitter pages, but I haven't produced content yet, and so I haven't announced it. I need to start getting active there.

Every story needs its own world

Posted in Artwork, Fantasy, Science Fiction, Setting, Structures of Earth, and The Affinities of Magic

Every story needs its own world and, if you're writing fantasy or scifi, that world has to be built.

I started Structures of Earth not quite two years ago, then put it on pause to write the Chained Adept series first (see background). At the time, I had a vivid image of the river town where the action was happening — the capital city for the country in which the story is set, rather the way London functions for England.

But where was that country, and what place in what world did it occupy?

One thing I learned from The Chained Adept — it's fun (and not too hard) to build a world map for a series and much better to do it at the start rather than to try and retrofit one after most of the story is done. That way, the “real world” constraints can ground the story and drive some of the plot logistics issues.

The world of The Affinities of Magic is a new world, and it needs its own maps. I took Fractal Terrains 3 out for a spin last night and started seeding the world settings until I found one I liked.

The world of The Affinities of Magic

Here's what that globe looks like if you unroll it, with a pointer showing where my temperate northern hemisphere initial city is located. (I haven't designated any national/imperial boundaries yet.)

One thing is already clear — there will be large differences between the cultures on the inner sea and those with access by water to the rest of the world. That inner sea may be 4200 miles wide, but it's still a restricted body of water, warm equatorial water, and the ecosystem in and around it will be unique.

See? That's something I didn't know before I generated this map. Hadn't even thought about it.

Restarting a series

Posted in Characters, Fantasy, Structures of Earth, and The Affinities of Magic

Book Cover - Structures of Earth, from The Affinities of Magic seriesI was about a quarter of the way into Structures of Earth when I put it aside in late 2015 to write a different series: the four books of The Chained Adept, the 4th and final book of which was just released.

Why would I do that, interrupt a series?

Well, there were several issues…

Series longevity

I intend for The Affinities of Magic to be a longish series, the way a detective series is. The characters will grow over time and their role in their world will evolve, but the focus will be almost exclusively on each individual story rather than an overall series arc. There are long-term issues that drive some of the characters, and those will show progress (or setbacks) across the books, but not an integral sort of series arc, the sort you're accustomed to in a trilogy, say, where you must “destroy the ring!” or achieve whatever goal you started with.

Some detective series work this way (the ones that don't just reset the characters with each new entry). Each book has a problem to solve that is important to the characters, but in the background the hero is getting older and having problems with his marriage, and an old flame shows up and then goes away again, and he gets wiser (or not) about how to handle certain situations, and so forth.

In The Chained Adept and The Hounds of Annwn series, there's an overall story arc to the entire series, though each book is a complete story of its own. For the former, that arc is probably completed, but for the latter — who knows? Might get longer. I have ideas…

World building to last

Creating a series like that meant I had to approach world building and character building (especially teams) for the long haul. Longer than four books, anyway.

I put some serious work into the technology of magic underpinning the “rules” by which the guilds (and others) operate, since the fundamental premise of the series is that they follow someone who is the “young Tom Edison” of magic — someone who figures out why the rules work the way they do. The whole series background is set in the resulting industrial revolution caused by these discoveries, with our hero at the center of it. I've always enjoyed technology of magic issues — perhaps that's a reflection of my fondness for hard science fiction.

All that is very interesting, but you can't tell stories about concepts. Stories are about people.

It’s been a while…

Posted in Research, Structures of Earth, The Affinities of Magic, The Chained Adept, The Chained Adept, and The Visitor

TimeFliesMy, how time flies.

I've spent the last few months conducting a number of experiments and thought I'd mention them here.

Look for a summary of 2014 and plans for 2015 in separate posts.

Finally, I've decided to add progress meters (on the right) for short stories still in the submission process. When finally published by Perkunas Press, they will have full pages here and on the Perkunas Press website.

Social Media

I conducted a blitz for four months aimed at improving my Facebook and Twitter audience. Rather than advertising my books (bad form) except for the occasional sale, I focused on providing interesting content covering a wide array of topics. In other words, I posted about the things I like — archaeology, landscape, language, surrealism, and dozens of other subjects.

My Facebook friends said, “hey, neat!” and hardly grew at all. Twitter, on the other hand, where I had little presence, grew to hundreds of followers. That was gratifying, but the advice to “make friends and have conversations” still eludes me. I've found new people to follow, but conversations don't seem to make sense in that medium.

I also dabbled in Pinterest and lined up Tumblr and Instagram to explore, but I've eased up on this for now. When my next book is published, I'll do announcements on Twitter and Facebook, and see if I can detect any impact, especially from Twitter. If not, then this is not a great use of my time, and I should ratchet back to a more normal level (yet to be determined).

This blog has suffered as a consequence. I expect to be posting more regularly, and with a greater focus on actual news rather than just amusements and general items of interest.

Workshops & Lectures

I've become a real devotee of Dean Wesley Smith‘s workshops and lectures. His somewhat acerbic and dismissive manner sometimes requires accommodation, but he and his wife Kristine Rusch have an invaluable perspective on the publishing industry and the important issues for long-term fiction writers. It's always difficult to find a mentor whose sensibility accords with your own, and these two do it for me, covering both craft and business concerns.