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Author: Karen Myers

Karen Myers is a fantasy and science fiction author, best known for her heroic fantasy novels. Her stories feature heroes in real and imagined worlds filled with magic, space travel, and adventure.

The Way of the Walnut

Posted in A Writer's Desk

Our busy concert performer
Our busy concert performer

Many writers like to speak at length about the music playlist they use when they write, different tunes for different moods, and so forth. I thought I should tell you about mine.

As I've mentioned before, we live in a log cabin (with an addition) that was built in 1812 out of big heavy squared-off logs. The bottom floor is stone, built into a bank. This was our hunting cabin/vacation home, but now it's fulltime.

There's a big room upstairs with paneling on the inside instead of bare logs, and one stretch of that, where a doorway was cut through the logs to give access to the addition, has something that lives within the walls, between the paneling and the logs. Well, actually, lots of things live within the walls, if you count the black snakes that come in to check out the mouse population. We don't bother them, and they don't bother us.

Anyway, we think this particular pest is a red squirrel (though we've never seen it). It has a walnut — plenty of black walnut trees around the farm. walnut-sketch1-200It's very fond of this walnut. It rolls the walnut all around this one stretch of wall, driving 3 cats, 2 dogs, and 2 humans absolutely nuts (so to speak). Then it gnaws on it. Loudly. At all hours. Where it's nice and warm, out of the snow.

So instead of iTunes, think of me with this constant, subliminal, walnut-rolling-around-inside-wall noise whenever I write. This has been going on for way more than one rodent's lifetime, so it must be passed from mother to daughter, down through the generations.

I just glanced outside and saw three separate black walnuts placed along the 2nd floor porch's banister rails. This is clearly a cache that the squirrel has forgotten about. For now. If it collects a few more, it can release an album.

Sigil for Torch & Scroll

Posted in Artwork, and Structures of Earth

Torch and Scroll Sigil
My first series, The Hounds of Annwn, uses a sigil that represents Antler Sigilthe entire series: the red deer antlers of Cernunnos. You see it inside the books, on the title pages and at the end, as a sort of frame for the stories.

Now Jake Bullock, my cover artist, has come up with a sigil representing the dying wizard guild for my new series, The Affinities of Magic. Each guild has a specialty and an emblem.

The guild that specializes in overall research, sort of the R&D arm of the guilds, is in terrible shape and has almost died out. Its once-proud symbol, Torch & Scroll, bears the nickname Ashes & Dust. The guild hall itself has been shut down and the few folk left are huddled in the servants' quarters.

But there are some who are determined to raise this guild from the dust and ashes and to revolutionize the understanding and practice of magic. Stay tuned for their stories…

You can see more of Jake's work here.

Submitting stories to magazines

Posted in Science Fiction, and Second Sight

Second Sight - Full Front Cover - WidgetI recently finished a science fiction short story that I haven't told you all about because, for the first time, I'm submitting it to magazines and online periodicals to see if someone would like to buy it. If I'm successful you'll hear all about it. If no one has a place for it at this time, Perkunas Press will publish it. You can find out more about it here.

Either way, it will take several months. In general you can only submit to one venue at a time, so it can take many weeks or months before you reach a venue that wants it. Then they will not publish it right away, and when they do they will want exclusivity for it for a few months. If I am not successful with the submission, Perkunas Press will publish the story in the usual way and I'll announce it here, otherwise I'll let people know where they can buy it, and then Perkunas Press will publish it after the exclusivity period runs out.

I'll be doing more of this over time, especially for short stories that are either not part of a series or that can stand alone. It's a new experience for me. Short stories don't sell in great quantity, but if a magazine buys one, that changes the financial result dramatically. It's also just about the only way that an author-publisher can be part of the consideration for the genre and category awards that are such a major part of fantasy and science fiction. Finding out exactly what the magazine editors want will be a learning exercise all by itself.

Final edits for Bound into the Blood

Posted in Bound into the Blood, and The Hounds of Annwn

Bound into the Blood - Full Front Cover - WidgetI finished the first draft of Bound into the Blood, book 4 of The Hounds of Annwn, a couple of weeks ago and set it aside to ripen. It always helps to wait a couple of weeks before doing the editing — gives you a chance to approach it more like a fresh reader.

Since I write near-final first drafts, with all the loose ends tied up, the editing process is more of a copyedit and proofread set of activities which proceed in a certain order.

First I run the manuscript through Autocrit, scene by scene. This helps me identify repeated words, in particular, and cliches. It's depressing how often when writing that you come up with just the perfect word and then, one paragraph (or even one sentence) later, you decide to use it again. Must have something to do with it being fresh within your mind. A mechanical editor tool like Autocrit is invaluable for reducing this problem — it sees things the human mind ignores (“the the” is always a favorite).

I fix any loose ends that might remain (I make notes of them in each scene as I write). Then I format the book for ebook and print BEFORE I proofread it. It's much easier to proofread something if it looks different — bigger font, different wraparound locations, whatever it takes. I read through it relatively quickly, for feel (and typos), then I go back and read through it slowly for typos. I typically find 30-50 errors at this point, so one more read-through is always a good idea.

I toss a version round about this time to my husband, but I'm usually done before he finishes reading. Still, I incorporate his finds, too.

I expect the book will be up for sale in about two weeks (or sooner). I'll announce availability as soon as it's up — first to my newsletter subscribers, and then here on the blog.

Life on the farm

Posted in A Writer's Desk

It's always good to have backup utilities.

If we run out of oil, we have a fireplace and a woodpile. For water, we can melt snow or filter the spring. And, just in case, we have a two-door outhouse.

One door died years ago and has not been resurrected. The second door has a tendency to not stay shut. Porcupines gnaw the wood for the salt from human sweat.

And, apparently, it makes a great home for screech owls. Pardon the quality of the photo: I was using a cellphone through a car window somewhat coated in basset hound drool. (But isn't that how it always works?)

Pictures of more easily visible screech owls to the right
Pictures of more easily visible screech owls to the right

Cover artist audition sketch – Jake Bullock

Posted in Artwork, Structures of Earth, and The Affinities of Magic

Cover-Sketch-Crop-Jake-BullockI've asked two cover artist candidates to do a preliminary cover sketch for The Affinities of Magic, and a third is considering. I thought my readers would enjoy looking over my shoulder at the process of picking a cover artist for a series, and I'd be delighted to hear your thoughts.

Artist Jake Bullock has just sent me his preliminary sketch and I wanted to share that with you.

The cover for all the novels will feature an old wizard guild house, fallen into bad times along with its clan. Because of one brilliant young student and his systematic discoveries, the guild house will be gradually revived into an academy for a new school of magic. In each new novel you can see visible improvements, both to the building and to its surroundings.

The series background concerns a world that is moving from the biological equivalent of alchemy to chemistry, that is, from a mystical practice to a science-based one. Every story, short or long, will include a natural biological entity that produces an insight into how things really work, and that will be featured in a small vignette on the cover.

For long works, that vignette will be on the back cover. For short works, the back cover scene and its vignette will function as the front cover (short works don't appear in print and only need front covers).

You can find more of Jake's work here.Cover-Sketch-Jake-Bullock

Planning cover art for The Affinities of Magic

Posted in Artwork, and The Affinities of Magic

eolin_saga__revenge_of_ruyzouy_by_ertacaltinoz-d6wq03bMy next large work, after I complete Bound into the Blood, will be the start of a new series called The Affinities of Magic. That doesn't mean I'll stop writing stories in the first series, but just that I'll be keeping two going now.

All of the paintings for my covers for the books and stories in The Hounds of Annwn are the work of Larissa Kulik, a Russian surrealist. I've been using her paintings from stock photo sites and adapting them to my use.

For my next series, I plan to commission art work for the covers instead. It's an interesting challenge because, although I only need to buy one to start with, I have to plan for several novels and collections, as well as short stories, and they need to be both reasonably priced and recognizable as a single body of work. (Each series needs a brand.)  So I need to find an artist who:

  • Wants to commit for a number of digital paintings over the next couple of years without charging a fortune.
  • Works in a style which I think is suitable for the books.
  • Understands the basics of book cover composition for placement of book titles, etc.  I'll do the layout and design myself, but the paintings should take all that into account.
  • Isn't too overloaded to produce work fairly promptly.

The way you shop for this is to ask for recommendations from other authors and scour places like Deviant Art and ELance for artist portfolios that seem to meet your criteria.  I've spent the last couple of days pouring through portfolios by the hundreds and sending out feelers, but it will take a while before I can settle on a very short list.  I'll show you all samples as I go through the process, for your amusement (and input).

There are some amazing graphic artists out there.   The illustration for this post comes from Ertac Altinoz.

Sci-Festival Interview

Posted in Interviews

microphoneChele Cooke has just posted an interview I did with her for her Sci-Festival, a series of blog posts interviewing authors of Science Fiction & Fantasy.

Here are the highlights…

How did you get into writing Sci-Fi/Fantasy?

I’ve been an avid reader of SFF since I was a child (I can well remember when paperbacks first became popular, and Ace doubles hit the local stores).

As a writer, what I like about Fantasy, in particular, is that you can make it quite as character-driven as you care to. In some ways, it shares with Westerns the notion that a man’s character is everything, and with Science Fiction the notion that there are innumerable new worlds of wonder held together by consistent rules that we can explore. Anything is possible in the Fantasy genre, and the stakes can be larger than life.